heart_breaking (
heart_breaking) wrote in
thisavrou_log2016-02-15 06:37 pm
[Open]
Who: Chara and YOU!
When: After they resurge on the 8th, and ending when the voting on their murder sentence is determined.
Where: Galley, Bow, Housing Decks, Hold, and potentially anywhere else.
What: Catchall for Chara post resurge. Chara kills Sans. Chara stays in the hold after the murder.
Warnings: Dark themes and warnings for Chara, plus strong likelihood of Undertale spoilers.
Galley
The second work week in the kitchens is nearly over by the time Chara finally shows up. They offer no explanations for their absence on their own, and it's clear that they're only there to avoid having to be anywhere else. Still, their work is good; sometimes they'll appear at someone's elbow to reach past them for a utensil they've been sent after. Other times they'll lay out ingredients, and when they make the occasional mistake they correct it without complaint.
Everyone else has already had a few shifts to learn the ropes, and Chara sticks out like a sore thumb. It doesn't help that they're smaller than everyone, and it's a fact made especially obvious when they're sent dish-washing. They have to lift their elbows to reach into the sink, and their apron has been folded over at the waist so as to not reach their ankles.
They could probably use some help. That dirty cooking pot looks heavy.
The Bow
It's like the observation deck, but it's also not. They don't feel anything while standing by the same stars that watched them die, and for all that their eyes move over them, they're not even paying attention.
The Gunnery is empty. The door is closed, and Chara is standing mere feet away from it, arms crossed and chewing on the inside of their cheek. They haven't been here since the ship was struggling to escape with its precious load of rescued lives, and the lights are out at this time, with a stillness that seems oddly bereft. Chara's not making any attempts to get inside; it's as though the room itself has echoes of an intent that they're absorbing passively, like water creeping up strips of paper.
They seem lost in thought.
Nomo and Mero Deck
Both of the decks they're not on have communal bathing areas. That's about as much as they can tell from the looks of the doors, and they're reluctant to talk to anyone at all, let alone recruit someone to help them explore. This is perhaps the second time they've appeared on these levels. Like the first time, they walk through without going towards any specific room, and when they're done they pause at the end to look back.
They're still standing still when someone else appears. As though not wanting to seem lost, Chara stirs immediately and begins to leave.
Moro Deck
Generous lighting, soft beds, and desk sets that all match. The hallway wasn't dim outside, but Chara stands in the doorway and blinks anyway, adjusting. At some level they'd pictured their old room. They knew it would be different, but somehow the contrast between a shared room for children underground and this housing deck really drives it home.
Chara steps inside. They don't have anything to put down, and they own nothing that isn't 'borrowed', or ruined by their own grisly demise. That's fine. They avoid having to think about it by exploring the room, reaching for light switches and opening drawers.
Wildcard and catch-all! Suggest a place, or just assume they're taking a meal in the emptiest corner of the Mess Hall they could find and clearly need someone to eat with them.
When: After they resurge on the 8th, and ending when the voting on their murder sentence is determined.
Where: Galley, Bow, Housing Decks, Hold, and potentially anywhere else.
What: Catchall for Chara post resurge. Chara kills Sans. Chara stays in the hold after the murder.
Warnings: Dark themes and warnings for Chara, plus strong likelihood of Undertale spoilers.
Galley
The second work week in the kitchens is nearly over by the time Chara finally shows up. They offer no explanations for their absence on their own, and it's clear that they're only there to avoid having to be anywhere else. Still, their work is good; sometimes they'll appear at someone's elbow to reach past them for a utensil they've been sent after. Other times they'll lay out ingredients, and when they make the occasional mistake they correct it without complaint.
Everyone else has already had a few shifts to learn the ropes, and Chara sticks out like a sore thumb. It doesn't help that they're smaller than everyone, and it's a fact made especially obvious when they're sent dish-washing. They have to lift their elbows to reach into the sink, and their apron has been folded over at the waist so as to not reach their ankles.
They could probably use some help. That dirty cooking pot looks heavy.
The Bow
It's like the observation deck, but it's also not. They don't feel anything while standing by the same stars that watched them die, and for all that their eyes move over them, they're not even paying attention.
The Gunnery is empty. The door is closed, and Chara is standing mere feet away from it, arms crossed and chewing on the inside of their cheek. They haven't been here since the ship was struggling to escape with its precious load of rescued lives, and the lights are out at this time, with a stillness that seems oddly bereft. Chara's not making any attempts to get inside; it's as though the room itself has echoes of an intent that they're absorbing passively, like water creeping up strips of paper.
They seem lost in thought.
Nomo and Mero Deck
Both of the decks they're not on have communal bathing areas. That's about as much as they can tell from the looks of the doors, and they're reluctant to talk to anyone at all, let alone recruit someone to help them explore. This is perhaps the second time they've appeared on these levels. Like the first time, they walk through without going towards any specific room, and when they're done they pause at the end to look back.
They're still standing still when someone else appears. As though not wanting to seem lost, Chara stirs immediately and begins to leave.
Moro Deck
Generous lighting, soft beds, and desk sets that all match. The hallway wasn't dim outside, but Chara stands in the doorway and blinks anyway, adjusting. At some level they'd pictured their old room. They knew it would be different, but somehow the contrast between a shared room for children underground and this housing deck really drives it home.
Chara steps inside. They don't have anything to put down, and they own nothing that isn't 'borrowed', or ruined by their own grisly demise. That's fine. They avoid having to think about it by exploring the room, reaching for light switches and opening drawers.
Wildcard and catch-all! Suggest a place, or just assume they're taking a meal in the emptiest corner of the Mess Hall they could find and clearly need someone to eat with them.

[Closed]
Nomo Deck is silent: everyone who's awake has left for work or places more interesting than rooms with beds, and everyone who's not is sleeping strong. Chara stands at the end of the hallway for the third time of their search--their hunt--and listens hard.
They think they might've heard a distant snore. Maybe they didn't. These walls are pretty thick.
Chara walks up to his door without any hesitation. It's a tall door. The keypad beside it stares back, displaying for all the world that there's an order to these rooms, and that Chara is intruding. Chara looks back, and then takes the stack of cups they're holding into one hand, raising the other to knock.
Three times. Like nothing's wrong.
Chara separates the cups, tensing with the impending deed's adrenaline like it's an old friend. There are two cups in each hand, one stacked inside of its partner, and they're all brushed stainless steel. The sheen isn't quite reflective. The only features are seams where the rim was folded back to create a nice drinking edge.
They're ready. They hope they're not wrong.
no subject
Not that he has regret. Hell, none of this will matter soon enough. Hence the waiting. Sans was a pretty patient guy, but even he was starting to get antsy. Luckily, nothing passes time quite like sleep. So sleep Sans does.
And sleep. And sleep. And...
"Nn?" Light sleeper isn't the right word for Sans, so much as an opportunistic sleeper. If it's funny and the conditions benign enough, Sans could easily sleep under a jet engine. Times like this, though, the knocks cut through his exhaustion like tissue paper. Sans drags himself up from bed towards the door.
It was Papyrus, probably, here to read another bedtime story. The role switch this last week was nice, in a way. A sign that his brother isn't giving up on him, not that Sans thought he ever would. Though the disappointment he feels and their shared destructive decision to not talk about it under any circumstances makes these meetings less of a comfort and more of a grim reminder.
"'Sup, bro." He begins, before the door is all the way open. "You find somethin' coo--"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
galley
Well. He'd heard that the ship needed as much help as it could get right now, so he's certainly more than happy to pitch in at the kitchens when it isn't his shift.
There's another kid in here, taller than Link, but he understands their awkwardness with reaching for things. He's taken to nudging a box around with his feet so he can climb up to properly reach the higher shelves. He's actually up on it now when he notices them struggling with a very large pot. He hops down off of his box and hurries over. Wordlessly, he plants his hands on the sides of the pot and helps to lift.
no subject
And then stares. "Uh-hm." Who let a tiny kid this small into the kitchens?! How the heck did they not crush him with the sudden weight of the pot?
"Thanks?" They shrug and tilt their head a little, not really sure how to take any of this.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
The Bow
The Moira is feeling pretty claustrophobic, recently. Maybe its because the 'honeymoon' phase of a new experience has passed. Now it's just all problems and homesickness, and it's not uncommon for him to wish for the comfort of his tree mom or the familiarity of the Gem's house in Bavan. He believes he's here for a greater purpose, but...sometimes that stuff doesn't feel like it matters, when you're sad.
He isn't specifically looking for Chara when he comes to the bow of the ship, but he's been keeping an eye out. So, he isn't really shocked or uncertain of what to do. He's been thinking about this for a while.
"You're Chara, right?" he speaks up, from several feet back. He doesn't really consider that Chara is eyeing up the gunnery of all things. That feels like it would be absurd.
Re: The Bow
"Yeah." They turn to face him completely. "Who're you?"
They've never seen him before, and they wonder if this monster is here to follow San's lead. Or, well, try. Could he also just want Chara's soul, slaughter aside? That's what other monsters wanted from Frisk. He doesn't seem like much, but neither did Sans. Maybe he knows magic.
Chara realizes their hands are stuffed in their own pockets in a subconscious echo of a certain slouch, and they take their hands out, standing extra straight.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
THE BOW
He’d known that Chara was likely going resurge. Come back to life. It didn’t make what Sans did any more palatable, and he still feels sick thinking about it. And even knowing it was going to happen, seeing Chara standing there, unharmed, like none of it had ever happened…it still takes him by surprise. They look small, and young and utterly incapable of everything that they were capable of. Up until this exact moment Ratchet had wondered what it was going to be like to look at them now that he knew what they’d done. The people they’ hurt, and maybe even the people they’d killed. Wondered if the newfound perspective would make them harder to look at, or if there would suddenly be some obvious, telling flaw about them that he’d just missed by being too willing to assume the best. If they’d look like the monster they were.
But they looked the same. They look like a kid. Something hard in Ratchet’s expression, something he’d put there to make it clear that he didn’t think any of this was right or okay, dissolves almost instantly. He stands still, just staring at Chara’s turned back, and he opens and closes his fists once, a nervous gesture, a circular movement that meant he didn’t have to move. When he does finally speak, his voice is tight and edged with caution, unsurity.
“Chara.”
What was he going to say? This was worse than Sans, even. At least he knew Sans, even just a little. What did he know about Chara? Who even were they?
“You're...alive.”
no subject
The shift is subtle. It could be a tilt of their chin, or the loss of some previously unnoticed light being stamped out. The friend he made in the Mess Hall has retreated behind closed gates, and all he's looking at are the locks.
"That happens here normally. Right?"
There's no actual curiosity in a look this serious. They're measuring something else.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
Galley
"Do you want me to scrub them or dry them?" Crona's not asking for permission to help, just letting Chara pick what task Crona should help with. Those dishes aren't going to scrub themselves, but no one really wants to deal with dirty pots and pans after a long shift cooking, so Crona might as well make the job go a little bit more quickly.
no subject
The dish rack already has occupants. Chara reaches for them while Crona starts their own part, and they haven't even gotten past the first dish when they glance up at them.
"You work here too?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
moro deck
He looks over at the sound of footsteps, doing a double-take when he sees who it is and then giving them a slight smile.]
Look who it is. Welcome back to the land of the living.
no subject
*Nothing except antagonize whoever's stupid enough to remind them of it. They give this unknown person a flat stare, speaking without inflection.*
Thanks. I always wanted to die young.
*There's nothing playful about their reply: it's an accusation, armed for whatever it'll bring.*
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
Nomo Deck
They shuffle into the hall quietly, not noticing that anyone else is around until that flash of movement in the corner of their eye. Frisk turns to look automatically, and freezes when they see just who it is. There's no way. There's no possible way, they would have felt a RESET, they would know if Chara had LOADED, but they're still--!
Frisk isn't even thinking when they break out into a dash after Chara, reaching to hug and hold them, cling desperately to keep them from leaving again, they're back, they're back--!
no subject
And they are. Sort of. Chara's arms come up to protest, or maybe to push away, but instead they just keep holding them in that open ring with their sleeves inches away from Frisk's shaking back. Chara breaths, and they feel squeezed and airless, and their lungs heave like a sob.
Their own hug closes, lightly, so they don't break Frisk. Their fingers dig and tremble, but it's not to the point of pain, and there's some clear effort to make sure of it. It's very strange to feel like a dying animal at your center and a slightly stunned child on the surface. They shake and then stop like they can't decide.
"F-Frisk..."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Mero Deck
To have them ripped away almost immediately after hurt too much. When it became clear that Chara was gone, he secluded himself and let himself bawl his eyes out and wish that he'd never been brought here at all. It wasn't fair to Frisk, who looked just as tired and miserable as he felt, but he just didn't have it in him to reach out and seek comfort in anyone else.
He steps out for a moment, when the familiar figure passes by his door. It'd be easy enough to assume it's a ghost, and really... Asriel wouldn't be all that far off.
"Chara...?" His heart tightens in his chest as he says their name. He's afraid of being wrong.
no subject
There he is. Cute, like a dandelion. The weight of everything that made them kill him and enjoy it is coming down on Chara, held up only by the fact that this is their brother, the sweet boy they'd lived with like family.
... What a sham. 'Family'.
What a cheap. lie.
Cracks have formed. Their exhaustion is showing through, but so is that hate, and they're so tired. The socket where their soul would've been if they had one burns.
Chara takes three steps back to him, pushes him back through his door, and reaches to close it with him inside.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
Mero Deck
"Yo, kiddo what are you standing around for?" He calls from his doorway. In the next instant he's standing beside of Chara, grin softer, kinder and hand brushing absently at the mop of hair, like he would to his little sister-until he gets a good look at the child and the smile slides right off his face. In another blink there's more room between them, just a few feet and hand pulled back so quick the child might have mistaken the touch for an odd breeze instead.
"Oh shit. Someone totally went Night of the Living Dead on us."
no subject
"What's that supposed to mean?" Their eyes drill into him like it's a test. His results will determine how much pain he's in when they're done, speed or not.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
no subject
They cross to the deck below, then pass all the doors on that housing bloc. They don't zigzag or stop, but the surreptitious glances speak volumes: they're scouring their surroundings, looking for even the slightest hint. Of what? Something. They're searching for something.
Chara's never actually had to evade being tracked before. They're the one other people are sorry to meet, not anyone who would pursue them. They lose track of Tobi before even reaching that second deck, and they see no problem in crossing the other side right back up to check if he's gone.
nomo. you asked for this.
Anyway, thinking about it gives him a headache that he likes avoiding, and so it doesn't register until he sees them a second time.
"Oh," Ivan says, in an accent that Chara should find familiar. "You're the kid." The stabby, recently dead one. Right. This means he should... avoid, and get away as quickly as possible without being shanked. Damn, he'd hoped to just not deal with this at all.
I sure did.
And then there's this weird empty space like he just woke up, and his head is empty, empty, empty. They can't see past any of it, but they're pretty sure it's all there is to see.
"Yeah," They say simply. Well, if he's really that dumb then they probably don't have to worry. What should they do? ... Act... like the normal kid they are
n't, probably?Their eyes dart to the door he's standing beside and back. "Is this your deck?" The question they'd intended curiously comes out inflectionless. Kind of threatening, actually. Maybe they're not nearly as good at this as they thought.
i'm so sorry.
(no subject)
(no subject)
(no subject)
Galley;
"Need some help, yeah?"
He's already tugging an apron on, lifting a pot from the soapy water, reaching for a scrub pad with his free hand. Eggsy doesn't mind spending some time helping out down here, even when it's not his time to work.
"Name's Eggsy."
no subject
The moment passes. Reluctantly.
"... Chara."
No fight today, apparently. They look at the glass pan they're holding, then back at him, then slip the pan carefully back into the sink. He's scrubbing, he'll handle the rest. Right? They rinse their hands and reach for a towel.
"... Shouldn't you be cooking?"
It's probably one of their flimsiest attempts at getting rid of someone yet, but. Whatever. They're not willing to abandon him with the whole job, not with their pride as territorial as it is, so they reach for a dish to dry.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
[Open - The Hold]
It's the same cell.
... Their cell.
It's been a violent conclusion to a grisly few weeks, starting with a child's death and ending with a child murderer. No sign of it shows on Chara's face; after a stint of pacing and wall kicking, they've spent most of their time curled up on the cot.
Boredom. Thought. Hate. Any one of these might be set into Chara's eyes when someone enters the hallway, and traces of them linger even after distraction. Chara climbs to their feet every time and walks to the door to wait. It's not a welcoming tic, but a restless one.
They're dying for some kind of mental stimulation, even if it's from someone they hate. At least standing here lets them glimpse who it is, first.
no subject
After his own personal clash with death, he was well aware of what monster dust looked like, and yet he held onto the barest sliver of hope with the tenacity of a drowning man with a single plank of wood. The others must be mistaken. Sans wasn't hurt, he couldn't be hurt. If he was hurt, that meant he was--
Well, anyway! He was just messy and careless, and he probably shucked off the jacket so he could crawl into a smaller space and take a nap.
Yeah.
That's what happened.
What an easy and painless explanation!
He knew Chara was in the hold again, and this time, Papyrus decided to see them. Maybe they knew something. His grin as he stepped into view was brittle, everything about him a little more strained.
"Human! Chara, I mean! I hope you don't mind a little company!"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
please forgive this horrendously late tag...
yeeeeeees
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
nomo deck. everyone else is being functional and normal and then there's oren
He'd waited purposefully for a time when the halls should be the least crowded. As a prince, he was used to his own space, his own privacy, and so sharing his shower with a bunch of strangers had hardly been on his to do list. On top of that, where was the space in there? No room to keep his jewelry, no proper space to hang his clothes...
Basically, this is why he's now trying to slip down the hall in a towel tied a round his waist, a single under robe and yet another towel clutched to his chest. Majestic, really. He nearly gets there, too, until he spots a familiar face only a few paces ahead. They'd been so small, he'd nearly missed them, but up this close they were unmistakable. It was the brat who had kicked him in the gut!
"You—!" He calls out without thinking at their attempted escape, stepping forward and bundling the towel and robe closer to himself as his sentence cuts short. Hm, maybe yelling out wasn't the best idea. He's not even sure what to do about a kid like this.
no subject
It's him. That guy.
... Wait, where are his clothes?
Chara's sneer shifts while their eyebrows draw lower. Apparently they were right about assuming the room on the end was some kind of bathroom. Or maybe it's a pool? Who cares. Either way this is uncomfortable, and it's all they can do to savor the fact that he has it worse than they do. Their sneer twists closer to an off-put smirk.
"Greetings."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
galley
She's seen Chara around in the kitchens at least once before. It surprises her that the Captains have the children aboard this ship working the same shifts as the adults. Shouldn't they be in school? But it's not her place to question them, and Cordelia simply smiles at Chara every time they walk past. When they bring her a new block of protein to be chopped, she sets her knife down and gives Chara her full attention.
"Thank you. My name's Cordelia, by the way. What's yours?"
no subject
"Chara."
Wild horses couldn't drag a 'nice to meet you' from their mouth if they tried. It's not nice to meet her. They already dislike her. Chara picks up an empty container and some dirty utensils that were set aside, then looks through Cordelia to some far off horizon. They'll follow social niceties enough not to just leave when it's obvious she wants to talk, but not for much else.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Moro Deck
As the door slides open, she realizes something is different. Items had been moved, and not by her. Chara might have been alerted to the presence of another person by the clinking of chains that swat between Furiosa's legs as she walks.
She's cautious, taking her time to note the changes to the room, and she rounds about a corner to find Chara busy exploring.
"A child," she muses out loud, looking down at the kid coldly. "What are you doing here, pup?"
no subject
"I live here now," they announce calmly. "Who're you?" Belt. Pouches. Some sort of shoulder armor that Chara doesn't know the name of. She makes for an impressive sight, but Chara hasn't been impressed on account of intimidation for a long time.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Mero Deck
Because she can't ignore this. They haven't asked for help, nor has anyone else involved, but... Rosethorn isn's supposed to turn away from problems. It goes against every vow and promise she made. "Do you have some time right now?"
If their answer is no, she'll just find them again later. It's probably best to let her have her way from the start.
no subject
"Why? What for?" Can they get out of this? At least it's probably nothing to do with--... Crap.
"Is this about my jury sentence?" They eye her with new unease.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
24th late morning
Of course, the breakfast was cleaned up already as she enters to the hall, making J only wrinkle her nose in disapproval. They wouldn't be serving lunch either for a hour or so, but oh well. She'll manage.
Ignoring the lecture she got from Mr. Miles about the injurious effects of smoking on the ship, J lights a cigarette for herself (unquestionably the best thing she got from the mail) and withdraws to one of the tables near the bar are. She sits there alone for a good while and watches the faint smoke dance in front of her, lost in her thoughts and not paying attention to anyone nearby.
no subject
The voice isn't loud, but the Mess Hall is quiet, so it doesn't matter. Chara had their head buried in a comfortable folded-arm pillow when J originally sat down. Now they've straightened, blinking slowly. Trying to sleep killed some time, but it also left them on the edge of a total boredom stupor.
There's papers stacked where their arms had just been concealing. A pencil is by their elbow; this is a child avoiding homework.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)