Erik Lehnsherr (
magneticfields) wrote in
thisavrou_log2017-12-06 10:00 pm
Papa was a rolling stone
Who: Erik Lehnsherr, Wanda Maximoff, Peter Maximoff, Rogue, Clara Oswald, Diana Prince, Charles Xavier
When: The month of December, very carefully planned that none of these are happening at the same time (he has a color-coded calendar)
Where: Various places around the station, see prompts.
What: Erik's personal life is a disaster that I am attempting to contain in one place. This log is for the various dates he has lined up, as well as spending time with his children. And fighting a demon with Charles.
Warnings: Not expecting any, will edit to include warnings if something happens.
I never got a chance to see him (Closed to Wanda)
[ It takes Erik a few days to recover from the shock of Peter's revelation. One thing he definitely needs to do is talk to Wanda. Her odd behavior, and strong reaction when he so grievously misinterpreted the cause, now made sense.
There were still murky waters to navigate. The fact that she had her own parents, even though Peter was his son and Peter's sister was Erik's daughter. That apparently her brother is not here. That there is some sort of dimensional shift that has changed things for her in ways Erik does not quite understand.
He wants too, though. Try to define the strange situation that has tied them together. It is perhaps a selfish impulse, though he is sure that if she tells him to leave her alone, he will do so. And so he goes looking for her, starting in the library because he had heard she might be there. ]
Never heard nothin' but bad things about him (closed to Peter)
[ One thing is clear, Peter needs to know more about Erik's side of the family. Possibly also his mother, as Erik is certain that she has not told Peter the truth about how or when they met.
But the more important thing is to tell him about his family, all that they have lost. The legacy only lives so long as there is somebody to remember it. And now there will be, once Erik is gone.
He goes to Peter's quarters, at a time they both agreed on, with a hard copy of information that he wants Peter to have, and the intention of not getting sidetracked. And the locket. Because the first thing he needs to tell him about is his sister. ]
Papa never was much on thinking (closed to Rogue)
[ Erik is still not sure whether or not this is a mistake. He knows his intentions are good. It has occurred to him that much of what he finds interesting in Rogue is what attracted him to Raven. And becoming physically intimate with Raven was a mistake, one he will not repeat. Clearly Rogue is searching for some kind of mentor, and if Erik can serve in that role, and serve as a voice of reason against whatever it is that Charles is teaching her, all the better.
They are meeting in his quarters, of course. He's not interested in dealing with the inevitable wild rumors that would spring up the instant any of the others saw them interacting. He's done what he can to make sure the lighting is comfortable but not in a way that could be described as "mood lighting". He has a pitcher of what he has been assured is a decent approximation of "sweet tea" in the refrigerator. He is not sure what Rogue intends to prepare, but he expects the tea will go well with it. As well as sweet tea goes with anything, anyway. ]
Spent most of his time chasing women and drinking (closed to Clara)
[ The truth of the matter is that risotto is not as difficult to make as it appears. The trick is to just keep stirring it, and most do not have the patience for it.
Erik is a patient man.
He's left the door open so that Clara can come in without him having to leave the stove. Along with the ingredients he's using, he was able to obtain a few new articles of clothing. A sweater, one that actually fits him and not Charles, in a nice dark maroon. A grey broadcloth shirt underneath, and khaki pants. And an apron over that at the moment, as he is not going to ruin his new clothes.
He hums quietly as he adds a ladle of stock to the rice and stirs vigorously. ]
I'm depending on you to tell me the truth (closed to Diana)
[ Erik didn't bring a chessboard with him, of course. He made one shortly after arrival. Inlaying different alloys to make the checkered pattern, forming various bits of scrap metal into the right color and a shape that he liked. He hadn't actually had time or opportunity to play anybody in the two months since he arrived, and so he is looking forward to teaching Diana.
She is an intelligent woman, and a strategic thinker. Once she picks up the basics he is certain she will quickly become a worthy opponent. He has set the board up in the greenery, on a small table with two chairs that probably wasn't intended to be used like a bistro set in the park. But it's peaceful there, and it is nice to be around the plants.
And if the taskbots get out of hand he can always just stick them to the floor until the cavalry arrives. ]
and that ain't right (closed to Charles)
[ The thing rattles inside the locker. Erik glares back at it, hand up, fingers splayed, keeping the door in place and a flashlight shining directly on it. He's not sure exactly what part of this setup is keeping it in place, so he keeps it all in place.
He flicks on the video call feature on his A.C.E. ]
Call Charles.
When: The month of December, very carefully planned that none of these are happening at the same time (he has a color-coded calendar)
Where: Various places around the station, see prompts.
What: Erik's personal life is a disaster that I am attempting to contain in one place. This log is for the various dates he has lined up, as well as spending time with his children. And fighting a demon with Charles.
Warnings: Not expecting any, will edit to include warnings if something happens.
I never got a chance to see him (Closed to Wanda)
[ It takes Erik a few days to recover from the shock of Peter's revelation. One thing he definitely needs to do is talk to Wanda. Her odd behavior, and strong reaction when he so grievously misinterpreted the cause, now made sense.
There were still murky waters to navigate. The fact that she had her own parents, even though Peter was his son and Peter's sister was Erik's daughter. That apparently her brother is not here. That there is some sort of dimensional shift that has changed things for her in ways Erik does not quite understand.
He wants too, though. Try to define the strange situation that has tied them together. It is perhaps a selfish impulse, though he is sure that if she tells him to leave her alone, he will do so. And so he goes looking for her, starting in the library because he had heard she might be there. ]
Never heard nothin' but bad things about him (closed to Peter)
[ One thing is clear, Peter needs to know more about Erik's side of the family. Possibly also his mother, as Erik is certain that she has not told Peter the truth about how or when they met.
But the more important thing is to tell him about his family, all that they have lost. The legacy only lives so long as there is somebody to remember it. And now there will be, once Erik is gone.
He goes to Peter's quarters, at a time they both agreed on, with a hard copy of information that he wants Peter to have, and the intention of not getting sidetracked. And the locket. Because the first thing he needs to tell him about is his sister. ]
Papa never was much on thinking (closed to Rogue)
[ Erik is still not sure whether or not this is a mistake. He knows his intentions are good. It has occurred to him that much of what he finds interesting in Rogue is what attracted him to Raven. And becoming physically intimate with Raven was a mistake, one he will not repeat. Clearly Rogue is searching for some kind of mentor, and if Erik can serve in that role, and serve as a voice of reason against whatever it is that Charles is teaching her, all the better.
They are meeting in his quarters, of course. He's not interested in dealing with the inevitable wild rumors that would spring up the instant any of the others saw them interacting. He's done what he can to make sure the lighting is comfortable but not in a way that could be described as "mood lighting". He has a pitcher of what he has been assured is a decent approximation of "sweet tea" in the refrigerator. He is not sure what Rogue intends to prepare, but he expects the tea will go well with it. As well as sweet tea goes with anything, anyway. ]
Spent most of his time chasing women and drinking (closed to Clara)
[ The truth of the matter is that risotto is not as difficult to make as it appears. The trick is to just keep stirring it, and most do not have the patience for it.
Erik is a patient man.
He's left the door open so that Clara can come in without him having to leave the stove. Along with the ingredients he's using, he was able to obtain a few new articles of clothing. A sweater, one that actually fits him and not Charles, in a nice dark maroon. A grey broadcloth shirt underneath, and khaki pants. And an apron over that at the moment, as he is not going to ruin his new clothes.
He hums quietly as he adds a ladle of stock to the rice and stirs vigorously. ]
I'm depending on you to tell me the truth (closed to Diana)
[ Erik didn't bring a chessboard with him, of course. He made one shortly after arrival. Inlaying different alloys to make the checkered pattern, forming various bits of scrap metal into the right color and a shape that he liked. He hadn't actually had time or opportunity to play anybody in the two months since he arrived, and so he is looking forward to teaching Diana.
She is an intelligent woman, and a strategic thinker. Once she picks up the basics he is certain she will quickly become a worthy opponent. He has set the board up in the greenery, on a small table with two chairs that probably wasn't intended to be used like a bistro set in the park. But it's peaceful there, and it is nice to be around the plants.
And if the taskbots get out of hand he can always just stick them to the floor until the cavalry arrives. ]
and that ain't right (closed to Charles)
[ The thing rattles inside the locker. Erik glares back at it, hand up, fingers splayed, keeping the door in place and a flashlight shining directly on it. He's not sure exactly what part of this setup is keeping it in place, so he keeps it all in place.
He flicks on the video call feature on his A.C.E. ]
Call Charles.

no subject
He leans forward as well, catching and returning her rather infectious grin. ]
The worst thing?
[ It would obviously be the war, but the way she's smiling it's unlikely what she means. ]
I can't imagine. Don't leave me in suspense too long.
no subject
The clothing. Long skirts and corsets, which were impossible to move in. Tall collars that choked me. It was torture. I don't know how your women did anything at all.
no subject
He blinks slowly as he regains the ability to speak. ]
Yes, well. I believe most women agreed with you. Fashions changed considerably, and corsets in particular all but disappeared not long after the war. Except for, ah, niche purposes.
no subject
That's the first bit of good news I've heard about the future since I got here. [She might be exaggerating a little, but not by much. But the last bit does catch her interest.] Niche purposes? I can't imagine any purpose for a corset.
no subject
Damn her. This couldn't be a tactic, could it?
He clears his throat as he makes his move. ]
Niche purposes as in... sex. [ Might as well be matter-of-fact about it. ] They're constructed a little differently than what you've seen, though. Different fabrics and colors slightly different shapes.
[ He keeps his focus on the board and does his best to ignore how his ears are getting hot. ]
no subject
I can't imagine having sex in a corset, no matter what it's made of. There is no way someone could move properly in it without being terribly uncomfortable, which defeats the entire purpose. [She sounds entirely unfazed by this topic of discussion.]
no subject
Sometimes it is taken off for the actual act. The removal of elaborate undergarments can be part of foreplay. Sometimes it's left on, restriction is something that can be enjoyable.
[ He rests his chin in his hand, his finger pressed against his mouth as he studies the board and thinks only about the game. ]
no subject
[Finally, Diana spares him a glance, and sees the red of his ears and the pointed way he isn't looking at her. Something in her mind clicks, and she blinks a few times before leaning back slightly.]
Does this... would you rather talk about something else?
no subject
Oh. [ He says blandly. ] Sometimes restriction can be interesting.
[ He shakes himself and looks up to see her looking concerned. ]
No, no it's fine. [ He clears his throat. ] I suppose I'm more accustomed to having conversations like this in, ah, preparation for... engaging.
[ Again, she has knocked him completely off-balance. He wants to be charming, to impress her. Instead he's so distracted he just let her capture his bishop. ]
no subject
But he continues to be so with her, so she can only respond in kind.]
Is it not typical to speak so openly about what one enjoys, whether or not there will be-- [She presses her lips together as she repeats his choice of word, trying not to laugh.] --engagement?
no subject
There are many things Diana is ignorant of. Her desire to learn and unjaded nature can sometimes seem naïve. But she isn't. She's lived a hundred lifetimes, gone to war, loved and lost. And is definitely playing dirty with him.
He wonders how dirty she's willing to get. ]
No, I wouldn't say it's typical. [ He leans back and looks at her appraisingly. ] It is a bit forward, though.
no subject
But that would be very un-Amazon of her.
Instead, she leans forward, inspecting the board. Entirely nonchalant.]
Forward just means honest, as far as I'm concerned.
no subject
Ah, the radical honesty method. How exactly does it work? You've already mentioned how your life is an open book, but I was under the impression that it was limited to questions asked.
no subject
Would you prefer I simply start talking about myself, unprompted? That seems rude.
no subject
You did. But don't worry, I didn't find it rude. Simply unexpected.
no subject
In a good way, I hope.