Trish Walker (
notpatsy) wrote in
thisavrou_log2016-03-07 09:13 pm
Life is like a box of chocolates
Who: Trish Walker and you
When: Tail end of first week of March
Where: Garden and Bruce's room
What: Sullenly eating chocolate and cursing the existence of Feelings
Warnings: Will add if necessary
Garden
When a man and a woman like each other very much... they sometimes come to the conclusion that it would still be best if they didn't make things complicated by trying to have a relationship whilst traveling through space in a ship whose captains kidnapped them from another dimension.
And sometimes, even knowing that that decision really is a very sensible and mature way of handling things, the woman decides to hang up a blanket between a couple of bushes, wrap herself in another blanket and sit in her little makeshift tent and eat chocolate and drink a lot of something that at least tastes a lot like milk. She's never sure about anything she gets from the mess hall here, in all honesty.
Look, sitting alone in her bed just made her think of Bruce's bed and that just started up a whole cycle of sad thoughts so she decided to go for whimsy.
She's sitting cross-legged and balancing a notepad on one knee, thoughtfully chewing on a piece of chocolate as she tries to come up with what to talk about during the following day's broadcast. "Interstellar dating" it says on the top of the page, though she isn't actually going to ask anyone on board about their love lives. She's just brainstorming a bit because it beats sitting around dwelling on her own frustration.
It's a crush. It'll pass.
If it doesn't, she might start breaking things.
Insomnia crisis (closed to Bruce)
For a while there, Trish went back to pretty much hardcore ignoring Bruce because she simply couldn't figure out how to talk to him without screaming 'KISS ME, DAMN IT' with her entire being, which not only felt uncomfortably needy but also wasn't at all a good step in the whole 'let's be friends' direction that they have sort of agreed to take.
It does help a lot that Jessica is on board now, since that kind of shifted her emotional centre of gravity in a big way. She still aches for Bruce pretty much all the time, but he's definitely not the person on board that she's closest to anymore.
That said, when night comes creeping and she can't sleep, it's not Jessica's arms she wishes she could feel around her, and eventually she just sort of cracks and gets out of bed to make her way over to Bruce's room and knock on the door.
When: Tail end of first week of March
Where: Garden and Bruce's room
What: Sullenly eating chocolate and cursing the existence of Feelings
Warnings: Will add if necessary
Garden
When a man and a woman like each other very much... they sometimes come to the conclusion that it would still be best if they didn't make things complicated by trying to have a relationship whilst traveling through space in a ship whose captains kidnapped them from another dimension.
And sometimes, even knowing that that decision really is a very sensible and mature way of handling things, the woman decides to hang up a blanket between a couple of bushes, wrap herself in another blanket and sit in her little makeshift tent and eat chocolate and drink a lot of something that at least tastes a lot like milk. She's never sure about anything she gets from the mess hall here, in all honesty.
Look, sitting alone in her bed just made her think of Bruce's bed and that just started up a whole cycle of sad thoughts so she decided to go for whimsy.
She's sitting cross-legged and balancing a notepad on one knee, thoughtfully chewing on a piece of chocolate as she tries to come up with what to talk about during the following day's broadcast. "Interstellar dating" it says on the top of the page, though she isn't actually going to ask anyone on board about their love lives. She's just brainstorming a bit because it beats sitting around dwelling on her own frustration.
It's a crush. It'll pass.
If it doesn't, she might start breaking things.
Insomnia crisis (closed to Bruce)
For a while there, Trish went back to pretty much hardcore ignoring Bruce because she simply couldn't figure out how to talk to him without screaming 'KISS ME, DAMN IT' with her entire being, which not only felt uncomfortably needy but also wasn't at all a good step in the whole 'let's be friends' direction that they have sort of agreed to take.
It does help a lot that Jessica is on board now, since that kind of shifted her emotional centre of gravity in a big way. She still aches for Bruce pretty much all the time, but he's definitely not the person on board that she's closest to anymore.
That said, when night comes creeping and she can't sleep, it's not Jessica's arms she wishes she could feel around her, and eventually she just sort of cracks and gets out of bed to make her way over to Bruce's room and knock on the door.

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With time, he hopes, that'll change. But then there's the fact that they're stuck on a spaceship together, and it's only a matter of time until they run into each other somewhere. Makes the whole thing a lot more complicated, and Bruce doesn't even know if avoiding each other will do anything but make them hurt even more in the long run.
But it's for the best. It's what Bruce tells himself as he goes on with his routine, does his work, has his meals, goes to sleep, while trying (and failing) to not listen to her broadcast. Having a head full of her voice probably isn't the smartest move right now, but anyway.
At least at night he has time on his own to just relax, forget about everything by diving himself into a book and get lost in the pages until sleep weighs his eyelids down. The knock on the door is unexpected, though, Bruce's eyes lifting to the door for a couple of seconds before he sets the book down on the bed and gets up. Glasses still on, he's already in a T-shirt and sweatpants, clearly dressed for bed, but he doesn't really care that that's how he looks when he walks over to the door and opens it.
His expression immediately opens in surprise, though it's brief and discreet, shoulders squaring as he straightens up just so.
"Trish." Why yes, genius, she knows who she is. His eyes scan her briefly, settling on her face again, as if that'll help him decipher why she's here. "Is everything alright?"
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His question actually sort of stuns her for a moment, and she isn't proud of the fact that she does give him a look that pretty much asks the question why anyone would ever call him a genius.
Seriously though, he wants to know if everything is alright? Does he really think everything could be alright at the moment?
God, he's a jackass sometimes.
"No. No it's not."
Everything sucks, Bruce.
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Not that he minds. She doesn't need a reason why, and while avoiding each other might be their own stupid way of dealing with all this, he's not going to shut the door on her face.
"Sorry," he mutters as he steps aside, giving her the room to walk past him. "Come on in?"
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"Thank you. Sorry for bothering you, I just... I can't sleep."
And while that would usually probably be Jessica's problem to deal with, tonight Bruce is the lucky man who gets to take care of an over-tired Patricia Walker who is more than a little done with just about everything.
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oops accidentally replied to you twice, but you know what I like this one better
lmao you cutie
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Like the tent itself, its occupant comes as a surprise when she peers in and sees Trish. She thought maybe one of the children had built it, since it's definitely not needed for shelter in the middle of a ship.
"Is this a private tent, or would you welcome company?" Company entails Rosethorn and the single kitten in her hand, for the moment, but where one kitten goes, the others will follow. They're particularly fond of Rosethorn.
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Rosethorn gets a smile that is perhaps not the sunniest expression imaginable, but it's definitely genuine.
"Kittens will grant you entry anywhere."
She's having a shitty week, something furry to hold is just about optimal at the moment.
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Does Trish really want a multitude of kittens climbing all over both of them and the inside of the tent? If the answer is yes, Rosethorn can make that happen. "I'm Rosethorn, one of the gardeners."
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"Today I am very okay with unlimited kittens."
It sounds like a pretty good distraction.
"Nice to meet you, Rosethorn. I'm Trish."
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There are no bread crumbs nor are there pigeons, and Foggy hasn't bothered contemplating anything since coming here. Not about relationships, or the meaning of life. It's mostly been 'why does this feel strangely like college all over again, but with lasers and space ships.'
That's the reason he's in the gardens, and as he makes his way around he's pleased that, however weird said garden is, some thing resemble earth. There's trees, at least. And not...everything else.
The tent sticks out as a sore thumb, makeshift or no, but he's unsurprised when he pokes his head in and notices Trish. It seems like an incredibly Trish thing to do, eat chocolate and..
His brow raises.
"Are you waiting for a date, Miss Walker?"
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She lifts her notepad up to hide her writing from Foggy as she gives him an accusatory look that really doesn't have much sting to it since she is also smiling.
"Okay, first off you shouldn't read people's notes without asking first, very rude. Secondly, I'm not waiting for a date."
Because it has been made rather clear to her that there will be no dating going on here.
"Unless you're volunteering, Mr. Nelson, in which case I'm still not waiting since you're here."
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Yeah. This is nice. He chuckles, glancing over at the paper, and then the chocolate. He's seen this in movies. His sister, too, post-breakup. Or anytime 'boy trouble' came around. He should have probably paid attention, but in the Nelson household it's best to run and hide when older siblings are on an emotional rampage. He hums thoughtfully, asks if he can sit, and without actually waiting for Trish to say he can--which he supposes is rude--he takes a seat next to her.
"As much as I would enjoy sweeping you off your feet in an absolute whirlwind of torrid, wanton lust, it looks like you're already pining."
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"Very uselessly pining."
She's not even going to bother with trying to deny it.
"I'll keep that whirlwind of torrid, wanton lust in mind though. Sounds like a good time."
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Peggy considers not bothering her. She's very clearly distressed by something, otherwise she wouldn't be doing this, but whether that meant she truly wanted to be alone or not was the question. Then again, if she didn't want to be bothered, she shouldn't be out in a commons area.
At the very least, she decides to check on her, peaking around the edge of the blankets and offering a small smile, but also a look of concern.
"Are you alright, dear?"
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Actually, at the moment Trish is mostly leaning in the direction of "no" at the moment, but she's sort of trying to find a positive-ish angle here.
Which is why she holds out a bag of pretzels and gives Peggy a sort of weak smile.
"Pretzel?"
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"It sounds like some needs to talk. Or a distraction, at the very least." Even if Trish seemed to be trying to put a positive twist on whatever was bothering her, it didn't change the fact that something was bothering her.
She offers her thanks as she accepts a pretzel, but before she begins to nibble on it, she nods to the empty space in the tent.
"Do you mind if I join you?" Honestly, given the million and two things on her own mind, she could use a distraction herself.
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And she would probably feel a little less pathetic if she shared both this space and the sweets with someone else.
It would become more of an adorable picnic than an exercise in just how much one can wallow in self-pity before just turning into a puddle of goo that smells vaguely like navel.
If you don't want to know what that smells like, just be happy about it and don't try to figure it out.
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Grabbing a few props on the way, she moves towards Trish's hiding spot which on a ship like this wasn't all that hard to find.
"Ok, take a kitten and start talking." It's worth a shot. People like cuddly fuzzy things, right? Besides, it's a better opening than who's ass do I need to kick - although it's on the tip of her tongue.
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Said as she somewhat absent-mindedly accepts a kitten and moves over to make room for Jessica to settle in with her under the blanket. Sure, sometimes they both practice the 'I am shutting you out for your own good' logic to their relationship in their own individual ways but this really isn't one of those times for Trish. She could use the support.
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Someone would pay, it may not happen right away but she would see it through.
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Garden
A full six-and-a-half days later, the young girl has finally been dragged aboard the Moira, given her MID and examined and all the other good stuff that comes with arriving through the Ingress. Now, just a few hours after her boarding, she's still exploring the place. She's still quite dirty from a week surviving on Ceta's surface, and her face and hands are covered with bruises and scratches, and her hair doesn't look like it's been washed in sometime - after all, how could she even think about washing up when she hasn't scoured this ship for potential exits and hiding places in case there's trouble?
Which is precisely what Robin is doing as she wanders into the ship's garden. Her eyes are wide - she has to admit, she hadn't expected to see something like this aboard a spaceship of all things. It doesn't take her long, however, to discover the blanket fort in the middle of the garden with a sad, chocolate eating woman inside. And, after that discovery, it takes even less time for her to poke her head inside.
"Hey. Can I have some of that?"
Re: Garden
"Of course."
Trish grabs a random bag of candies and hands it all over to Robin.
"Here."
Really, what this situation actually calls for is a bath, some medical attention and an actual meal, but they can start with chocolate and work their way up from there.
Re: Garden
"Thank you," Robin says, as she unwraps a chocolate and pops it into her mouth. She invites herself further into the makeshift tent, settling on the ground not far from the older woman. "I guess you've been here a while?"
It's just a guess, but Robin's pretty sure that it's a good one. One doesn't show up on a spaceship all of a sudden and decide to make a blanket fort for no reason, after all.
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so late
Whatever the reason in the end, Pepper heads to the gardens just to feel like she's not entirely stuck on the spaceship. It isn't exactly outside, but it's better--and also curiosity inspiring when she sees the makeshift tent nearby. She really can't help but walk over, bending down a little to see who might be inside.
"Trish?" Not who she's expecting, to be honest. "I know it can be hard to share a room, but I didn't think things were this bad."
so loved <3
"My immature side is very dominant today so I decided to just indulge it for a bit."
eee <3
"Uh oh. What has the immature side showing?" Because in Pepper's experience, it tends to be either extreme giddiness, or extreme frustration. Granted, most of said experience comes from dealing with Tony's immature side, but she's been known to do something silly every now and then.
Still, in a tent in the gardens, and with--is that chocolate? Oh, Pepper is definitely willing to bet on frustration.
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