Thán (
hohnkai) wrote in
thisavrou_log2017-01-03 09:25 pm
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Entry tags:
- *event,
- agents of shield: daisy johnson,
- all about j: j,
- danger days killjoys: the girl,
- dogs bullets & carnage: badou nails,
- dogs bullets & carnage: nill,
- dragon age: anders,
- dragon age: fenris (crau),
- dragon age: varric tethras,
- guilty gear: venom,
- marvel 616: laura kinney,
- mcu: bucky barnes (crau),
- mcu: stephen strange,
- mcu: wanda maximoff,
- metal gear: kazuhira miller,
- metal gear: solid snake,
- metal gear: venom snake,
- mushishi: ginko,
- overwatch: angela "mercy" ziegler,
- overwatch: jesse mccree,
- overwatch: mei-ling zhou,
- overwatch: reinhardt wilhelm,
- overwatch: soldier 76,
- star wars: rey,
- the raven cycle: adam parrish,
- the raven cycle: ronan lynch,
- tron: rinzler (crau),
- tron: yori (crau),
- uncharted: harry flynn,
- undertale: chara dreemurr,
- x-men movies: james "logan" howlet,
- x-men movies: kurt wagner,
- x-men movies: peter maximoff
january event log
Who: Everyone
When: January 3rd and on
Where: The Midway Hub.
What: The crew finally make it to the center of the Hub.
Warnings: Mentions of dead bodies, death, and violence. Please label your content!
When: January 3rd and on
Where: The Midway Hub.
What: The crew finally make it to the center of the Hub.
Warnings: Mentions of dead bodies, death, and violence. Please label your content!
E V E N T L O G |
"Let them in, and take them out."
|
Murderecat's fur is up. Kerrigan's not in the mood to deal with this.
He's not hers, though. She doesn't need to assert her superiority over him, and she won't be drawn into making the first move, to starting a fight she doesn't understand the reason behind.
So while they're staring each other down she reaches out, trying to recall what it felt like through the Leviathan and Izsha, talking directly to a machine. Attempting to open a signal while she spoke out loud.]
I'm not playing. If you have a problem, you're either going to have to attack me, or tell me what it is.
[There it was. ]
See, now you're just asking for the icon.
Access request—
—stalls—
Transmission type: broadcast, single-channel—
—freezes—
Connection—]
[What?]
[It's sentiment as much as language. Code more than either. It's followed by an utter hash of data, half-filtered processing cluttering the link with a background static of suspicion and shock. What is this, how had she—this is two-way. Rinzler doesn't have the permissions to communicate, and this kind of ping should be impossible outside of a real system. He doesn't know how much he's sending—he doesn't know if he should. He's still angry.
One thing is clear, though, no matter how much (or little) Kerrigan can piece together: it's been a long time since Rinzler was in the practice of output.]
extra light sources. I've moved up in the world.
She brushes it aside to focus on what's going on.
>"You're angry with me. Why."
Time to get this sorted out.]
Pff no THIS icon (with zero relevance to the current tag)
She can't see his code, or know his purpose. But even over such a rough connection, the dichotomy is tangible. Rinzler doesn't feel like enough to make a full AI.
He acts like it, though. Another raw hash prickles back across the link: suspicion, wariness, sharp and fixed. Fingers twitch, curled around the weapons in each hand, and if he doesn't look quite as ready to attack, he still doesn't give the impression that he would mind the opportunity. The junk data pares down swiftly, leaving a tight, focused line.]
> [Broke us.]
THAT IS BOTH ADORABLE AND CREEPY
Finally the connection clears up a bit, and Rinzler responds. Despite the ease of communication like this, the fact that he doesn't have to type everything how, he's still too concise.
>"Us who." Because that's more like a reasonable answer. She's broken a lot of things and people, but nothing that makes sense. Nothing that explains the switch between wary allies to angry hostility.]
AS ALL GOOD MURDERCATS SHOULD BE
The black helm inclines pointedly to the ground—no, the debris. Electronic fragments that have been chopped to pieces, blasted—and more recently, smashed against the walls. Computers might be the assumed identifier, and it wouldn't be completely wrong... but the word that fires back across the link is much more fundamental.]
> [Programs.]
no subject
Oh.
It was a new perspective for her. Synthetic life like Rinzler that could think and feel and have emotions. The anger over other machines being destroyed, and Kerrigan smashing their remnants. Was it the equivalent of her throwing a human corpse around?
Either way, she lowers the limbs on her back into a more neutral position and slides out of the threatening stance she was in.
>"I see. I won't do that anymore."
What else is she going to say. She doesn't understand, not really, she's not going to apologize, because it's the kind of thing there's no apologizing for. Not among all the other destroyed machinery that adds to what she's been doing.]
no subject
...it's nothing new. Rinzler had reacted more from loathing than from shock; more from shock than any personal concern for the derezzed. Empathy has never been the enforcer's strong suit, and even as blades hum in either hand, there's an uncertain fracture in the back of his mind, stable footing crumbling away. Why does it matter? The user hadn't killed them. She wouldn't have cared any more if she had.
None of them ever do, and he hates it—
Noise rises in a vicious snarl, and Rinzler's disks flare in each grip before he jams them back into one unit. A hand reaches back, redocking with a sharp twist, and the program turns aside. The fluid crouch of combat dissolves to Rinzler's usual hunch: bent spine, bowed head, empty hands at either side. And if those hands are still curled, ready to break and fight, if his shoulders remain drawn into a knot of angry tension... this user isn't Clu. He doesn't owe it to her to be perfect.
Besides. If Rinzler doesn't know the false assumption, he's been placated by enough users to doubt her change of words is any more. He turns, making to leave. The broadcast channel won't pick up any directed response, though the grating, angry mismatch of the program's sound seems to be as much internal as outside right now.]
no subject
She watches, and listens to the snarling, unnatural noises he produces before he combines his weapons into one and then attaches it to his back. There aren't real muscles in there, but the way he stands, the lines of tension and anger, are an impressive imitation of a human. Part of her is curious how he was made, exactly what it is that's going on, what she's seeing.
But he's enough of a being for her to respect his autonomy, for her to not really want to pry the same way she doesn't want anyone poking and prodding at her. She waited until he had left, watching him go, before she dropped the connection. The fun she'd had exercising her powers was gone now, so she leaves as well. There's work to be done.]